Cara Long’s work is fueled by an exploration of self-indulgence and obsessive consumption in which the mechanical, the edible, and the utilitarian are united. A skilled ceramicist and pastry chef, Cara exploits the sensuality and familiarity of sugar, icing, cake, and porcelain. Sweet aromas and creamy façades offer a backdrop of enticement for the presentation of objects and images, each one pretty and perishable.

Having previously presented her own chronicled effort of self-control, the artist has recently turned the mirror toward the viewer by inviting participatory consumption. Free to lick, bite, and swallow, the consequence of the viewer’s interaction leads to the ultimate demise of the artwork.